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Showing posts with label alcohol. Show all posts
Showing posts with label alcohol. Show all posts

April 9, 2010

Happily Ever After

Let's talk about LOST!   Happily Ever After.
Desmond's eye opens.
Zoe is adjusting his IV.   Desmond's vision is very blurry and then clears.
Zoe-"I know you're disoriented, you've been unconscious for the last three days. But you're off the IV sedation now, and I've just given you a shot to help you wake up ."
Desmond-"Are you a nurse?"
Des is told he's not in a hospital anymore; he had to be moved.
Desmond wants to find his wife, "I want to see Penny!"
Widmore appears and tells him that's not going to be possible.   Desmond looks up, sees Widmore and says what Desmond always says when he realizes someone is familiar, "You."

Desmond is groggy and confused. He asks Widmore what happened to him, "Where am I?"
Widmore- "You were shot...By Benjamin Linus. Do you remember that?"
Yes, Desmond remembers.    He wants to talk to Penny and calls out for her.
Widmore- "She's not here. But I assure you both she and your son are perfectly safe. I'm really sorry for taking you away from them but I didn't have a chance to explain, and if I had you never would have come with me. "  
Desmond wonders, "Come with you where?"
Widmore reveals he brought him back to the island.
Desmond is furious; he actually twitches with emotion. Widmore confesses he can't imagine how Des must be feeling.
Desmond freaks and starts to beat Widmore with the IV pole. Two of Widmore's bodyguards restrain Des and Widmore warns them not to hurt him.
Desmond-"You take me back! You take me back right now, you hear!"
Widmore sternly replies that he can't take him back,"The island isn't done with you yet."
Desmond cries out apparently in pain.
Widmore tends to his injured head.
Jin asks Widmore what Desmond is doing there.
Rather than explain, Widmore feels it will be easier to show him.  Widmore instructs Zoe to take Jin to the generator room and then he'll be along for the test.    Concerned Zoe mentions that test isn't scheduled until tomorrow and Widmore is aware of that.  He demands they get them ready now.   Zoe looks troubled.
Zoe escorts Jin past an area where there is a huge white box with large wires and power cables running to it.   As Jin stops to get a closer look, Zoe hurries him along as there is no time for sightseeing.

Inside the "control room" Zoe informs Seamus that they're bringing Hume down now. {The room is filled with lots of electronics, computers, generators, gages, coils, transformers. etc.}
Their time frame isn't good and the generator probably hasn't been run in 20 years.   {Uh, then how the hell is everything else getting power?  Oh yeah, two "rats" on a big wheel!
Jin inquires what they are doing there.   Zoe reveals they are running a "little test".
Seamus calls out to the team, "All right, let's see where we are? Can we get a functioning  EM field going, people? Let's try a power test. Generator on full, please."
Seamus-"Here we go. On my count... three...two...one...and power on."
He pulls a lever and the equipment attempts to start up but fails.
Frustrated Seamus feels there's a  faulty contact somewhere.  He has Simmons go down and check the circuits on the solenoids, and warns Angstrom {The White Rabbit!} that he's going in next.
Simmons checks the huge coil with his trusty yellow meter.  Zoe watches via computer screen/monitors.
The tech in the control room found the bad breaker on the jenny and brings it back online.
Zoe freaks, No!"
He flips the switch and the solenoids ignite; the room is filled with intense bright white light.
Seamus yells for them to turn it off.
Zoe, Seamus and Jin hurry to check things out and find Simmons smoking burned body.
Widmore arrives asking Zoe if "Are we ready?"   He is unaffected by Simmons sacrifice to get the machine running.
Desmond is dragged into the room and can't help but see the body that was in there before him. As the body is being removed Widmore stops them, uncovers it, seems to 'take a moment'.
Desmond is dragged into the room and strapped into the waiting chair. {Mind you Des is supposedly still coming out of a three day sedation and a gunshot wound!}
Widmore-"I know how this looks, Desmond. But if everything I've been told about you is true, you'll be perfectly fine."
One team member confirms Desmond doesn't have any "metal, keys or change" on him. {Important Desmond words!}
Motivated Widmore states,"Course he doesn't, you idiot. I hate to resort to forcing this upon you, Desmond. But once it's over I'm going to ask you to make a sacrifice. And I hope for all our sakes you'll help me."
Desmond-"Sacrifice? What the bloody hell do you know about sacrifice?"
Widmore-"My son died here. For the sake of this island. Your wife, my own daughter hates me. And I've never even met my grandson. But if you won't help me, Desmond, all of it will be for nothing. Penny, your son, and everyone else, will be gone forever."
Widmore and the team exit and close the door.
Desmond starts yelling and fighting his way out of the chair. He friggin Hulks out and literally breaks out of the chair.
In the control room Widmore instructs them to "turn it on."
Jin-"No! If you want me to help you with whatever you're doing here, you need to explain to me..."
Widmore-"That man is the only person I'm aware of in the world, who has survived a catastrophic electromagnetic event. I need to know that he can do it again.... or we all die. Turn it on!"
The machine starts up and Widmore asks if they have full power.
Seamus is hesitant to throw the three levers. {1 red, 2 black)} Impatient Widmore uses his forearm and pulls the three levers
Desmond is yelling for the bastards to, "Let me out!"
The coils start up and the room gets bright with the white light; Des physically reacts to the effects of the machine, then....
...Desmond is at LA  X staring at the flight information board. {The board flashes Oceanic 815 ARRIVAL, meanwhile its passengers are already walking around. A sign shows F-2}
Hurley passes by and informs Desmond,"It's carousel four."
Desmond-"Sorry?"
Hurley-"You were on the Sydney flight, right?"
Desmond-"Yeah."
Hurley-"Our bags on carousel four, I double checked it with the dude at the counter." {Double checked}
Although Desmond didn't ask him for the update he politely thanks him anyway.
Claire struggles to pull her bags off the carousel.  Desmond tells her to "Hang on..." lends her a hand and asks if she has anymore bags. She does not.
Desmond-"Boy or a girl?"   He didn't mean to pry.
Claire-"Oh no it's fine, I just umm, I don't know what it is."
Desmond-"All right. Well you're braver than I. I'm not a big fan of surprises. Oh excuse me, that's mine."
He takes grabs his bags from the carousel while Claire is looking around for someone.
Des notices this-"So, have you got someone meeting you?"
Claire-"Uh yeah, uh maybe they got the flights messed up or something."
Desmond-"Because I've got a car picking me up. You now, if you need a ride I'd be more than happy to give you a lift."
Claire declines because there are cabs. The enjoyed meeting each other.
Desmond declares the baby to be a boy.
Claire-" What?"
Desmond-"Bet it's a boy."
Whistling RayBan sunglass wearing George Minkowski is the driver waiting to pick up "Hume".
Desmond sees his sign,  "Looks like I'm with you."
Friendly George takes Desmond's bags and asks "Take you back to your hotel?"
Desmond is checking his cell replies, "The office."
As George directs him to the limo he makes small talk. "So uh, you flew in from Sydney huh?"
Desmond-"That's right."
George-"And what, what were you doing uh down under?"
Desmond-"I was closing a deal for the boss."
George-"Oh good for you, congratulations. Hey listen, if you need anything at all while you're in town, I know everyone. You need a reservation? You just pick a restaurant."
Des feels the room service at the hotel is excellent.
George-"You uhh, you looking uh for some company? I noticed that you weren't wearing a wedding band. And there are a lot of lovely ladies offering their uh companionship."
Focused Desmond tells him he's not looking for any companionship, "I'm here to work."
George-"Guess that's why you're the boss's right-hand man, and I am the driver. Okay. Got it."

Desmond arrives at Widmore's office and is sent right in by the receptionist who inquires about his flight.
He enters the office and is greeted by a happy Charles Widmore, who welcomes his friend to L.A.. {The receptionist knew Desmond, this couldn't be his first time in LA then...could it?}  The two happy friends hug.
Desmond is looking at Widmore's replica of a sailing ship. {The office is filled with black and white and things seem to not be in the same place}
Widmore is on the phone, "I don't give a bloody damn what he did, or how much it's going to cost. Just get him arraigned and get him out of there."
Widmore-"Sorry Desmond. Looks like our celebration of the Australian deal is going to have to be cut short. You are aware that my son is a musician?" 
Desmond-"Yes. I've heard he's quite talented." 
Widmore-"Yeah he is, quite. {Watch how he says that!}  Anyway, my wife is putting together one of her charity events and uh, the boy had a crazy idea to combine classical music with modern rock. You heard of a band called Driveshaft?"
Desmond hasn't heard of them.
Widmore-"Their bass guitarist overdosed and uh a, got himself arrested. And now, if I don't get this junkie to my wife's event she will, simply put... destroy me."
Desmond-"So you want me to babysit him?"
Widmore-"I know it's beneath you, but I need someone I can trust to do the job right."
Desmond-"Say no more Charles, it's done."
Widmore-"Huh. You really do have the life, son.  No family, no commitments. Ahh to be free of attachments."
Desmond feels he's a blessed man. Yet Widmore claims  he is blessed to have Desmond in his employ.
He toasts Desmond, "A drink, to celebrate your indispensability."
He pours two glasses of MacCutcheon whiskey.
This surprises Desmond, "That's your sixty-year-old Scotch, Charles."
Widmore feels nothing is too good for Desmond.
Desmond toasts-"Sláinte."
Desmond arrives at the AIRPORT COURTHOUSE; Superior courthouse, as junkie Charlie is exiting with a female lawyer. {Des' reflection in the door.} She checks her cell.
The lawyer walks directly to Desmond and correct inquires/assumes/knows it's Mr. Hume.
Desmond-"That's right."
She informs Des that bail's all been taken care of. "Remember he's not allowed to leave the state."
Charlie is going through the plastic bag that contains his personal effects.  Desmond introduces himself to Mr. Pace, conveying that Charles Widmore sent him.
Charlie defies authority, dumps the bag on the ground and walks away.
Desmond-"Hey! Where you going?"
The lawyer tells Des, "He's all yours."
Charlie purposely crosses the street walking directly in the path of oncoming cars.
A driver yells out, "What's wrong with you?! Idiot!"
Charlie heads directly into JAX bar. {Jack's Bar}
Desmond looks at his watch and seems a bit annoyed. He follows Charlie into the bar. {The following conversation is very important}
He'll have whatever Charlie's having.  "One drink, then we go."
Charlie-"So what's your job then, to babysit me? What are you, Mr Widmore's chief lackey?  Henchman?" {Shinny DS ring}
Desmond-"No title. Plenty of perks though."   He gets to meet charming people.
Charlie-"Well, cheers then. Tell me perky, are you happy?"
Desmond-"Quite."
Charlie-"No you're not."
Desmond-"Well I've got a great job, lots of money, get to travel the world. Why wouldn't I be happy?
Charlie-"Have you ever been in love?"
Desmond-"Thousands of times."
Charlie- "That's not what I'm talking about. I'm talking about spectacular consciousness altering love.  Do you know what that looks like?"
Desmond-"I wasn't aware that love looked like anything."
Charlie-"I've seen it, mate. On the plane back from Sydney."
Desmond-"Is that so? Well we were on the same flight, so...maybe I saw it too."
Charlie-"Trust me, you didn't."
Desmond- "Oh? Enlighten me."
Charlie-"There was this woman, two rows in front of me, in handcuffs, sitting with a cop.  He looked at me, knew I was holding. If I didn't take action I'd be caught. So I got up, went to the lav, proceeded to eliminate the evidence by swallowing my stash. And at that exact moment we hit turbulence. I choked. The entire bag of heroin is stuck in my throat. It's over, everything starts to go dark, I'm slipping into the abyss and then I see her."
Desmond- "Her?"
Charlie- "A woman. Blond, rapturously beautiful, and I know her...we're together. It's like we've always been and always will be.  {He's euphoric for a moment} This feeling, this love... and just as I'm about to be engulfed by...I open my eyes and this sodding idiot is standing there asking me if I'm okay. But I saw it, just for a moment I saw what it looked like."
{Like when Locke looked into the eye of the Island and what he saw was...beautiful?!}
Desmond-"Well that's just...poetry, brother. You know you should, you should write a song about that."
Charlie-"Yeah yeah, I know what you're saying, poor suicidal rock star. But I've seen something real, I've seen the truth."
Desmond- "No that's not the truth. You want to know the real truth, Pace?  Right now you have a choice... you can keep on drinking, or you can come with me.  Now before you make your choice, realize that if you stay here, it will very likely result in the extermination of your musical career."
Charlie-"And if I go with you?"
Desmond- "In twenty minutes you'll be luxuriating in a five star hotel, right on the harbor front, and Charles Widmore - one of the most powerful men in this town will owe you a favor."
Charlie- "Doesn't really seem like a choice."
Desmond-"There's always a choice, brother."

Desmond and Charlie ride in the car and "You All Everybody" plays on the radio.  Charlie's band Drive Shaft's first single; fondly claims that to be "The beginning of everything great. You like it?"
Desmond-"Sure, for what it is."
{It's looks like they drive right by the backdrop used in the photo Des and Penny used in their infamous photo.}
Charlie feels sorry for him "You think you're happy. You think you've got it all, this...your life. But, you don't."
Desmond- "Why, because none of it's real?"
Charlie-"All right, Mr. Hume. How about I offer you a choice?"   He can either show Des what he's talking about, or Des can get out of the car. Desmond scoffs at this.
Desmond-"Why in God's name would I want to get out of the car?"
Charlie pulls the wheel purposely driving the car into the water.
Underwater.
Desmond gets out of his seatbelt and tries to rescue unconscious Charlie. 
Desmond actually yells-"Charlie! Charlie! Come on" while submerged under the water. {Muffled sound}
Desmond swims out of the driver's window; the sun roof/moon roof is open.   He takes a deep breath and dives down to get Charlie.  Desmond can't open the passenger door even though the lock is open.
Charlie nonchalantly opens his eyes and  holds up his left hand to the window. Desmond immediately "Flashes" to the moment Charlie informs Desmond it's "NOT PENNY'S BOAT".
Charlie stares then closes his eyes, seemingly becoming unconscious again. Desmond miraculously gets his door open, unstraps the seatbelt, and pulls unconscious Charlie to safety.  Des calls out for help.

In the hospital Desmond is being examined and questioned by the female doctor.  She shines her pen light into his eyes to check pupil dilation.   He is stitched up on the right side of his forehead.  
Dr.- "You sustained a pretty bad bump in your accident. Any nausea?"
Desmond- "Nope."
Dr.- "Double vision?"
Desmond-"No. Listen, I need to find the man I was brought in here with."
Dr.- "How about hallucinations?"
Desmond-"What do you mean?"  {He doesn't know what hallucinations mean?!}
Dr.-"Hallucinations. Seeing things that aren't there."
Confused Des isn't sure.  The Dr. informs him the C.A.T. Scan was inconclusive and she's sending him downstairs for an MRI.
Desmond tells her he doesn't have time for this and needs to find the man he came in here with.
Dr.-"I'm afraid you're not finding anyone until we know what's going on inside your brain."

The MRI tech asks Desmond if he's wearing  any metal, carrying keys or change. "Any metal inside your body, pacemakers, pins, bullets, steel plate inside of your head?"
Desmond-"No. Nothing."
The tech notes Desmond didn't list an emergency contact, no friends or family. He just put down his employer, Charles Widmore.
The tech explains this machine is super loud. "You're gonna want these. {gives him ear plugs and straps him to table.}  And you need the button."
Desmond-"The button?"
Tech-"The panic button. You need to stop, press it. Try not to 'cause we'll have to start all over again from the beginning. I'll be in that booth over there. You'll be able to hear me. Thirty minutes, okay?"
Desmond is sent into the machine.
 The machine starts along with its {familiar} noisesWith his eyes open Desmond "sees" images, as if movie clips are being displayed above him in the bright light:  Charlie drowning, Penny smiling, kissing Penny,the birth of Charlie, toddler Charlie, kissing Penny. He hears Penny's voice whisper...  "Desmond."
Des freaks out, "Hey! Let me out of here!"
He pushes the panic buttonThe overhead light in the machine is off.
The tech pulls him out, "What happened, man? Are you all right?"
Panicked Desmond needs to find the man he came in there with.  He takes out ear plugs.

Desmond is at the nurse's station  talking to an uninterested nurse. "His name is Charlie Pace. He came in an hour ago. Just give me his room number."
The nurse informs him if he's not a relative that's confidential information.
Desmond-"Look, we were in an accident together. I need to see him!"
There's nothing she can do.   Just then Dr. Jack Shephard happens by.
Desmond-"Hey. Excuse me. Um., were you on the same Oceanic flight from, umm, Sydney."
Jack-"Yeah, yeah, you were sitting next to me. Desmond, right?"
Desmond-"Yeah, that's right. Listen. I wonder if you can help me, brother. I need to find someone. He was on our plane. He's somewhere in the hospital."
Jack-"Hold on. He was on our plane and now he's here in the hospital?"
{Yeah, Jack the same dude you saved on the damn plane!}
On cue Charlie Pace is running away from a nurse and yelling "None of this matters!", right past Desmond and Jack.
Desmond takes up the chase after Charlie.   Charlie runs down the stairs and exits on the 2nd floor. {Wearing his black and white vans.}
With Charlie finally cornered, Desmond asks him, "Why you runnin'?"
Blue eyed Charlie-"Cause nobody here can help me. Now let me go."
Desmond-"Why’d you try an kill me?  Charlie insists he didn’t try to kill him, he was trying to show him something.  Desmond wants Charlie to show him his hand. {What is this...Poker?!}
Desmond-"Your hands. Show me your bloody hands now."
Charlie is intrigued and wonders,"You saw something, didn’t you? In the water. What was it?"
Desmond grabs Charlie’s hands
Charlie-"What are you looking for, mate?"
Desmond-"Who’s Penny?"
Charlie-"I don’t know. Ah. You felt it, didn’t you?"
Desmond-"I didn’t’ feel anything."
Charlie-"Then, why are you accosting a man in a dressing gown?"
Desmond-"All right. Come on. We’re leaving."
Charlie-"Whoa! You think I’m going to play a rock concert after this? This doesn’t matter. None of this matters. All that matters is that we felt it. You wanna try and stop me, good luck."
Desmond-"Hey, where you going?"
Charlie-"If I were you I’d stop worrying about me and start looking for Penny."   He walks away.
Widmore is on the phone with Desmond being told that Charlie is gone.
Desmond-"He escaped.  He knocked over a doctor with a bloody crash cart and then ran out of the hospital.
Widmore-"And you let him go?
Desmond-"He’s a junkie who drove my car into the ocean, Charles. I’m fine, by the way. Thanks for asking."
Widmore is thrilled Desmond survived but when he gives Desmond a job to do he expected him to do it.
Desmond fluffs it off as "just a bloody concert."
Widmore-"I tell you what, Desmond, if you can’t deliver Pace, why don’t you tell Mrs. Widmore, it’s just a bloody concert."   He hangs up on Des. {Des pushes the elevator button-he's on the 3rd floor!}

George opens the limousine door for Mr. Hume and remarks about him never having met the boss’ wife; and wishes him luck with that.

Snooty and annoyed Eloise is directing workers {young man dressed in Black and White.} in preparation of her event. "Please, tell me, how someone in your line of work is not aware that the butter knife is placed handle to the right, blade facing left? Just so."  {Daniel is playing classical music on the piano.}
Desmond introduces himself to Eloise. "My name is Desmond Hume. I work for your husband."    {She knows this is Desmond and is shocked to see him}
Eloise-"Of course, Mr. Hume. Charles has told me so much about you. It’s a travesty we haven’t met before. Well, it’s about time."
Desmond-"Well, the feeling is mutual, Mrs. Widmore."
Eloise-"Oh, please. It’s Eloise."
She wonders what crisis forced Charles to send his best fix-it man into the bowels of charity balls.
Desmond is deeply sorry and informs her that Drive Shaft won’t be able to perform alongside her son. "And, uh, I take full responsibility…"
Eloise- "Don’t worry about it."
Desmond is confused by her accepting attitude. "Excuse me?"
Eloise-"Oh, my son will understand. I suppose if one employs certain so-called, rock stars, certain unpredictability comes with the territory."
Desmond-"Yeah. You’re not angry?"
Eloise-"Oh, not at all dear. What happened, happened. Thank you so much, Mr. Hume, for coming and telling me in person. A pleasure meeting you."
Desmond-"And you."
Eloise corrects a worker to center the flower arrangement.   Desmond wishes her a good evening.
A man is going over the guest list and is heard mentioning: Leifer, Stefanie, plus two. Markey, Mary, plus one. Milton, Penny solo. Pepper, Nicholas, plus one.
The name Penny catches Desmond's attention and he asks the man about it.
Man-"And who are you?"
Desmond-"Um, I work for Mr. Widmore, may I see the list?" {He takes it.}
Eloise grabs the list, "You absolutely may not. That list is confidential.'
Desmond begs her pardon, but he's entrusted with confidential items every day.
Eloise-"Are you questioning me?"
Desmond- "No, I just want to look at one name on that list.  And, if for some reason, that’s a problem…"
Annoyed Eloise-"Come with me."
She demands the cooking staff to get out.  Desmond apologizes if he's overstepped his bounds.
Eloise-"Stop talking, Hume. I’ve heard what you’ve had to say. Now, you listen to me. I want you to stop."
Desmond-"Stop? Stop what?"
Eloise-"Someone has clearly affected the way you see things. This is a serious problem. It is, in fact, a violation. So, whatever you’re doing, whatever it is you think you’re looking for….You need to stop looking for it."
Desmond- "Do you, do you know what I’m looking for, Mrs. Widmore?"
Eloise-"I don’t know why you’re looking for anything?   You have the perfect life. On top of it, you’ve managed to attain the thing you wanted more than anything, my husband’s approval."
Desmond-"How do you know what I want?"
Eloise-"Because I bloody do."
Desmond-"I need to see that list…or you need to tell me why I can’t."
Eloise-"You can’t because you’re not ready yet, Desmond."  She walks away from him.
Desmond-"Ready? Ready, for what?"
Confused Desmond walks back to the limo.
George assumes things went badly. Desmond asks if there's any alcohol in the car. Of course there is, as a matter of fact he's told "Whatever you need. So, uh, where to, Mr. Hume?" {Of course, what ever they need, the "Island" gives them.}
Desmond-"Just drive, George."    There's a knock on Desmond's window.
Daniel-"My name is Daniel, Daniel Widmore. We need to talk." {Why is Daniel dressed very "dated"?}
Desmond-"Look, uh, Mr. Widmore, um…"
Daniel-"Dan, please. Call me, Dan. Mr. Widmore is my father."
Desmond-"Dan, if this is about Charlie Pace not being able to perform with you, I’m, I’m very sorry."
Daniel-"Do you believe in love at first sight, Mr. Hume?"
Desmond-"Excuse me?"
Daniel-"The first time I saw her I was walking through this museum, a few weeks ago. She, she works here.  She was on her lunch break. She was eating a chocolate bar. She has these incredible blue, blue eyes, red hair. And, as soon as I saw her, right, right in that moment, it was like, it was like I already loved her. And that’s when things got weird. {he takes a notebook from his bag.} That same night after I saw that woman, I woke up and I wrote this."
Desmond-"So what is it?"
Daniel- "I’m a musician. I have no idea. So I took it to a friend of mine at Cal tech. He’s a math whiz. He said this is quantum mechanics. He said these equations are so advanced that only someone who’d been studying physics their entire life could have come up with them."
Desmond-"So what do they mean?"
Daniel-"Okay. Imagine imagine something terrible is about to happen. Something catastrophic, and the only way to stop it from happening is by releasing a huge amount of energy.  Like setting off a nuclear bomb."
Desmond-"You wanna set off a nuclear bomb?"
Daniel-"Just listen. What if, this, all this, what if this wasn’t supposed to be our life?   What if we had some other life and for some reason, we changed things? I don’t want to set off a nuclear bomb, Mr. Hume. I think I already did."
Desmond-"Listen, mate, um. I don’t know what any of this has to do with me, so…"
Daniel-"Why did you ask my mother about a woman named Penny? It happened to you, too, didn’t it? You felt it." 
Confused Desmond doesn't know; he doesn't know what he felt. Daniel says he does, "You felt love."
Des feels that's impossible because he doesn't know anything about this woman, "I don’t know where she is. I don’t even know if she exists. She’s an idea."
Daniel-"No, Mr. Hume. She’s my half-sister. And I can tell you exactly where and when you can find her."
{That's one hell of a coincidence Desmond's love is Dan's half sister.}
Guess where he can find her? At the stadium, running a Tour DeStade.
Desmond walks right up to her and asks "Are you Penny?"
It is.
Desmond smiles, "Hello. I’m Desmond."
Penny shakes his hand and says hi.

Desmond opens his eyes; he is inside the huge white box.  He looks at his right hand.
Seamus sees Desmond and seems surprised, "He’s okay."
Widmore is pleased,"How are you, Desmond?"  {Desmond's eyes are checked with the pen light.}
Desmond- "Fine. How long was I unconscious for?"
Widmore-"Well, No more than a few seconds."
Desmond seems peaceful-"Will you help me up, please."
Widmore-"I’m really sorry we had to do this to you, Desmond. But as I told you, your talent is vital to our mission. So, if you just let me explain...."
Desmond-"It’s all right. I understand."
Widmore-"What?"
Desmond-"I said, I understand You told me, you brought me here to the Island to do something very important."
Widmore confirms that.
Desmond-"When do we start?"
The group is walking back and  Zoe asks Desmond what happened to him.
Desmond-"What do you mean?"
Zoe-"What I mean is, twenty minutes ago you were beating the crap out of Widmore with an I.V. stand and now you’re Mr. Cooperative."
Desmond-"A lot can happen in twenty minutes."
Zoe agrees, "That thing fried your brain."   {That thing! The smoke monster has recently been referenced as "that thing"}
Desmond smirks, "Did it?"
Zoe-"Whatever, doesn’t change the fact that you’re gonna...."
Armed Sayid attacks a couple of the workers and tells Zoe to run.
He tells Desmond he doesn't have time to explain, but these people are extremely dangerous. "We need to go, now."
Desmond-"Aye, of course. Lead the way."  {Ah, there's my pirate! lol}
{Air plane engine/sounds-rumble}
Penny-"Hello?! You okay?"
They are at the stadium. Apparently when Penny shook his hand he fainted. She must have quite an effect on him.
Desmond must look familiar to her because she wonders if they've met before.
Des thinks "we’d remembered it if we had."
Penny makes sure he's all right.
Desmond- "Yeah, I’m fine. Hey, listen, um, would you like to go for a coffee?"
Penny- "What, now? I’m a sweaty mess."   {Doesn't she have a charity ball to be at?}
Desmond-"I just fainted in front of you. I’d say we’re even."
Penny tells him of a coffee shop on the corner of Sweetzer and Melrose; she'll meet you there in an hour. They both are smitten!
Happy Desmond heads back to the limo where George asks, "So, did you find what you were looking for?"
Desmond-"Yes, George, I did. Corner of Melrose and Sweetzer, please."
George-"You got it. And if there is anything else I can do for you, Mr. Hume, you just name it."
Desmond-"Actually, there is one thing, George. Can you get me the manifest from our fight from Sydney, Oceanic 815? Just the names of the passengers."
George-"Sure I can. Do you mind if I ask you what you need it for?"
Desmond-"I just need to show them something."



Happily Ever After is a GREAT episode!!
All I can say is...you were given a shot to help you wake up. This was a "wake up call" for all "Island" residents and at home viewers!   I think it's pretty obvious that the "LA  X" bits aren't what you thought they were.
It's interesting to see that Widmore took Desmond by force; he didn't give Desmond a choice.  Locke gives his people a choice.
In this version we see that Desmond's will to have Widmore's respect won out over love, but his life was incomplete.  Also interesting is that Widmore adored Desmond until he couldn't "watch" Charlie.
With the difference of  things we've been seeing brings me back to the possibility of  each person having their own individual journey or is it simply that we're just seeing the different "go-arounds" tested/done until  it is done right. {Run the test 10 times and see what the outcomes are.}  After all, a lot can happen in twenty minutes!

How believable was the huge white box with the two coils that supposedly produces energy, radiation, electromagnetism and such? It  isn't even a completely enclosed room providing safety from exposure of all that shit!  Plus I hate how they throw the word catastrophic around.

Things to Note...Questions to ask...
* Recycle.  The same places, people, names, dialogue, props, etc.. {Reuse-rebirth}
* Head-consciousness.   What's going on inside your brain and  inside of your headIt doesn't get any fucking clearer than that!
* Because none of it's real. 
* Ear. Earplugs. Loud. Hear.
* Eyes. Eye color.  Look. See. 
* White Rabbit.  Alice in Wonderland.  Through the Looking Glass. Down the rabbit hole.
* Penny Milton. Half sister.
* Disoriented. Groggy. Sedated.
* Remember. Forget. Deja vu. Familiar.
* Manifest. Idea. Imagine. Wish. Believe.
* Machines. Generator. Power. Radio.
* Wires. Cables. Monitors. Attachments. Driver. Button. Computes. Online.
* Test.  Power test.
* C.A.T. Scan.  MRI.  Magnet.
* Game. Stadium. Bet. Sacrifice. Rules. Violations. Start. Stop. Start over from the beginning.
* Hospital. Jail.
* JAX bar. Jack and Christian.
* Tour DeStade, bar, pen, alcohol/liquor, hospital=Jack
* Mental health. Crazy. Addiction. MacCutcheon whiskey. Junkie.
* Maybe they need to learn how to contain their own anger or learn what to do with their own stored up energy/emotions.
* Playing roles. Changing roles.
* Perform. Solo. Rock star. Musician. Concert. Song. Poetry. Write/wrote.
* Drive Shaft's first "come back" show in L.A. was {Originally}supposed to be with Meatcoat.
* Enlightenment. Free of attachments.
* "There's always a choice."
* Desmond on the plane had a wedding band on, yet this Desmond is not married. That is NOT a continuity error! We're seeing proof of different versions of things.
* Why was Daniel's last name fucking Faraday? Why is it Widmore?
* Half sister. Combine two forms of "music/something" to make a new "one".
* Why is Jin privy to the big white box?
* Desmond is Charlie's babysitter. {Guard}
* Widmore and Desmond have a head injury.
* We had no Flash Whoosh and only once at the end scene did we get an Air plane engine/sounds-rumble to signify the change in "scene" for Desmond.
* "It happened to you, ".   George says a similar line to Desmond aboard the freighter.
* Heart.
* Which version (if any) is the real current run through?   Did Widmore send Desmond over just to babysit Charlie?
* Piano players on the "Island:  Daniel, Jack, Ben, Charlie and Sun.  Although we must mention that we've seen Sun and Daniel have a disconnect from the music.

Vocabulary and Research...
* Idea: an idea is just whatever is before the mind when one thinks.
I encourage you to read more on "Idea" as is connects to the LOST story and the philosophy of it's character's namesakes.
* Sláinte is commonly used as a drinking toast in Ireland, Scotland and the Isle of Man, literally translating as "health".
* Carousel. Merry go round. Ferris Wheel. Loop. Circle.
* White Rabbit: a character in Lewis Carroll's book Alice's Adventures in Wonderland
- In The Looking Glass Wars,  the White Rabbit is re-imagined as Bibwit Harte, an albino tutor with super-sensitive hearing.
- Jefferson Airplane recorded a song called "White Rabbit", with references  to this character and the Wonderland saga in general as metaphors for drug-induced experiences.
- Neo is told to follow the White Rabbit in the Matrix 
-A synchronized set of strobing lights on the approach end of an airport runway Approaching Lighting System.




Over the past five years I have given countless examples of things happening in their heads, minds, consciousness, sleeping, the hum of the magnet {a piece of medical equipment}, machine, wires, cables, computers, drugs, hallucinations, dreams, manipulated imagery, ship, test, learning, different versions, two, two sides, underwater, mental health, jail, game, journey, perception and enlightenment etc.. This episode outright spelled it out for you all, and this episode did indeed tie it up with a pretty little bow.

Here are the links to my previous notes for Flashes Before Your Eyes, Catch 22, The Constant, The Variable
Other important notes: The Beginning of the EndDeus Ex Machina, Man of Science Man of Faith.

Desmond has "Flashes" much like we've seen in his other centric episodes.  Is he time traveling?  No.  Again I'll state... he just may be "remembering"  other "go-arounds" on  this little "Island" (testing) adventurous journey.

The truth got literally SHOVED in Desmond's face by someone (Charlie) who is off the "grid".
Desmond must be playing this game waaaay tooooooo long to keep on missing the point, so Charlie "PUSHED".  But we did also see Desmond give his enlightened statement to Charlie of "There's always a choice".   Who is pushing whom?  Either way, someone is affecting the way Desmond is seeing things.  In fact it's a violation.  A violation by which side?  Hmmm.

The only way to get out of this level is to get to see, feel, hear and know truth.
We  have seen "players" in the adventure/journey assume roles of guides, guardians and keepers of the path.  The "lost" person must face challenges and the truth about themselves/someone/something and when they find what they are looking for, {themselves/something/someone; to forgive, trust, love, see truth, etc.} then they can move on.  And for some, if they are getting to close to the "truth" about the "Island" itself or close to unseating the leader, then they are removed from the playing field/game board. 

Just for a moment forget about the sideways stuff, the stupid time travel, hieroglyphics, quantum physics, bizarre gizmos and gadgets, other universes, smoke monsters and all the other illusions, magic and distractions and look at what the story is really about...
Try to see the "truth" or my favorite word...enlightenment. The answers are indeed right in front of our eyes as they have always been.

If there are people out there who still think they're watching a show only about a plane crash, another universe complete with time travel, alternate time lines due to blowing up a hydrogen bomb and such, and have not learned that in addition to those fantastical things that this story is a very human story...then I am sorry, I don't think my notes will show you anything to help you find your way.

Keep in mind the phrase "Happily Ever After" is traditionally a closing sentiment at the end of a "fairy tale"

Love to all who are "LOST"™

Charlie literally reaches out to his fellow "Island" friends in need!
Happily Ever After, Through the Looking Glass, The Beginning of the End.

Disclaimer: I never claim to know everything about the show and my thoughts by no means make me right! The things I share here are my views and/or opinions. I don't claim to catch every single detail either! You all know I hate spoilers and I stand clear of reading certain sites as to not take me off my own course of research. The one thing I don't need to do here is rehash all of the obvious clues from an episode, we all know what they are. Understood? Good! Let the fun begin! I'll only note things that I know come up as clues later, but need to be noted when they first show up and things I find that will be of importance. It will get very exciting as we progress into the story.

September 8, 2009

Collision.

Let's talk about LOST! Collision.

(Click the pics!)


Ana Lucia is at the firing range. She's a great shot and very intense. She removes her headphone type ear protection and eyeglass protection.

Ana is sitting "as the patient" in a psychologist office. She shares an update that the family with the screaming baby moved but she feels it’s too quiet now.   Ana drums her fingers on the armrest of her chair.
The psychologist asks if she and Danny are still trying work things out.    Ana feels there’s nothing to work out, “He left.”
When asked if she’s okay with that, Ana guesses she’s one of those people who are better off alone. The psychologist asks her how was the firing range and how did it feel to hold a gun again.
Ana- "Very good." {Like she's enjoying a piece of chocolate! Bitch!}


The psychologist/counselor-"All these steps count, Ana. You’ve come a long way since we met four months ago."
Ana inquires if “She say...when I can come back to work?"
The psychologist informs Ana, “She left the final determination up to me.”
Ana- “Right.”
He asks her if she thinks she’s ready.
Ana- “What do you think?”
He gives her back her badge and welcomes her back to the force.
{Flash Whoosh}
Ana Lucia is standing in the pouring rain, having just shot Shannon among the whispers. Sayid pulls out a gun and aggressively walks over to armed Ana.   Mr. Eko tackles Sayid. {Listen to the voices in the background!}
Libby is yelling, “Eko!” {What the hell is she yelling?} And we hear Michael say “He’s one of us!”
Jin says something.
Sayid and Eko fight; trying to get a gun.   Eko knocks Sayid out and Ana grabs a gun, “Don’t move! Nobody move!”
It stopped raining.
She holds the gun on all of them and wants Eko to see if unconscious Sayid has anything else on him.
Eko-“What?”
Ana-“He just had a gun to your neck, check to see if he has anything else on him.”
Michael wants her to put the gun down; she wants him to stop.
Michael asks if she’s crazy, “Don’t point that at me.” {He rocks when he says it!} Michael wonders what her problem is.
Ana demands he stop and fires the gun to scare them. Everyone is shocked!
Ana yells for them to get back, “Both of you!” {Michael and Jin}
Michael-“Are...Are you crazy?”
Libby keeps saying “Ana”, trying to break her focus.     Ana tells Eko they need to tie him up. But Eko is not tying him up.
Ana uses the “He tried to kill you” card, but Eko’s answer is “No.” {He tried to kill Ana!}
She demands that Libby tie him, using the vines from the stretcher.
Michael’s concerned “If they take that thing apart we won’t be...”
Bitch Ana tells him to shut up.     Libby informs Ana that Sawyer needs a Doctor or he’ll die.”
Ana points the gun at Libby and declares, “I know what I’m doing.” {Although I think that it's at this point Ana is realizing her role is falling apart.}
{Flash Whoosh}
Uniformed Officer Ana Lucia Cortez strolls down the hallway to the doorway of an office. {Room 315. Captain}   The Captain is Ana’s mother.
Her mother gives her a new assignment in "Evidence".
Ana-“You’re putting me behind a desk?”
But Ana wants patrol; in a car!   Her mother doesn’t care what she wants and reminds her she was in an officer involved shooting and says no.   All of a sudden Ana decides to speak in Spanish and wants to know if this decision was made because she's her mother or captain. {Why change language for one question?}
Mom- "Both."
Ana insists she needs to be back on the street.
Mom is worried that if she puts Ana back in a car “it will look like she pulled strings. You don’t want me to treat you like my daughter, don’t ask me for favors."
Ana requests a transfer. With that one sentence her annoyed mom takes the assignment paper and signs it, telling her she doesn’t get the transfer, "But I’ll give you the car...Happy?” {Apparently Ana needs to always be watched!}
Detective Raggs comes to the door and tells Ana “There’s a call for you in the bullpen, they say it’s real important.”
Mom blurts out they got Ana a cake, “Try and act surprised.” {Mom just ruined the surprise!}
{Flash Whoosh}
Jack is filling up a water bottle from the beach camp trough.
Rose feels it’s good to see him out of the hatch, “You can use more sunshine.”
He’ll take that under advisement. {That line is from the book Pet Semetary. Lol}
Rose offers him fruit, “It’s good for the constitution. At least that’s what they say.”
Jack takes a piece from the bowl and seems impressed with the taste of the fruit and asks her where she got them. She never answers the question. {Could there be some special fruit on the Island. Actually, let’s keep that in mind.}
A golf ball drops into the trough. Rose and Jack wonder where it fell from.

Charlie stands next to Hurley as they watch Kate putt.
Hurley-“Past the hanging tree, double or nothing.”
He feels there’s no way Kate’s hitting the ball that far.
Charlie-“Hurley, the woman’s on bloody steroids.” {Injections. Growth hormone.}
Kate remarks to Hurley that double’s 10, 000 bucks. Charlie feels that’s nothing to someone who’s worth 150 million dollars, “He’ll build you your own course if you’d like.”
Kate wonders what Charlie’s talking about, Hurley just tells her to ignore him; he’s an idiot.
Kate swings!
The boys seem impressed, but Jack, who is walking over, claims she hooked it. “Try keeping your left arm straight.”
Confident Kate asks, “You giving me tips?”
Jack-“Kate...I’m...I’m a Doctor.” {Now that’s fucking funny!}
Kate wonders if that means he can do better. Jack feels anyone can hit a ball, that’s not golf. “Golf is accuracy.”
Cocky and amused Kate suggests they play a few holes to see which one of them is more accurate. “Three holes, no handicap, we play for bragging rights.

In the jungle Eko gives weakening Sawyer some water.
Libby
is trying to talk Ana into getting to the Castaway’s camp.   She tells Ana that it was an accident, they will understand.
Ana-"I killed one of them."
Sayid is tied to a tree and is waking up.   Ana tells Libby, “If those two move, shout.”, and she walks over to tied up Sayid. He demands to be untied!
Eko picks up Sawyer and tells Ana he’s taking him back to his camp.
Ana begs him not to leave, “If that were you he’d let you die.”
Eko-“I’m not doing it for him I’m doing it for me.”   And literally carries Sawyer off.  
{So maybe at this point, Eko wants change his role or is trying to correct wrongs or even penance for past ‘sins’. Hmmm}


Ana sits in the passenger seat of a patrol car with her partner/Big Mike.  Mike asks if "that shrink gave you any good drugs?" {Reference to being in psychiatric care and taking drugs.}
Ana laughs-"Not that kind of shrink."
Ana missed mustached Big Mike.
Mike heard about her and Danny and offers to go kick his ass for her.  Ana declines the offer, feeling its better this way. {Ana likes 2 pens in her chest pocket.}
All of a sudden Ana is pissed she wonders what they’re doing in Westwood.
Mike-“Thought a change of scenery would be nice.   Nice safe neighborhood for your first day back.“
Ana realizes this was her/captain’s idea.
A call comes in over the radio about a domestic dispute. “809, please respond to a domestic disturbance call at 22 10 South Veteran.” {Ana wears the ring}
Ana-“This is 8 Adam-16.”
Big Mike says it’s not their call.
Radio-“Go ahead Adam-16.”
Ana-“We're just 3 blocks from away from that call on Veteran. We got it.”
Radio-“Copy that, 8 Adam-16.”
The siren goes on and they turn and take off.
Where are you going?! What are you doing?!”

A woman is yelling to her man while she holds a baby.  He/Travis takes the TV that he bought with his money.   She calls Travis a liar! The cops pull up.
Travis-“Do something useless, Shauna! Shut your trap!”
They are shouting over each other. Shauna wants him arrested for stealing her TV.
Travis-“She hit me. She hit me!
Big Mike-“Hey, enough, all of you! Both of you!”
The baby is stressed out and screaming.
Ana snaps, pulling her gun out “Put your hands where I can see them! Get down on the ground!”
Big Mike-“Officer Cortez!
Ana wants the lady to take the baby up stairs and demands Travis to the ground. Big Mike commands Ana Lucia to holster her weapon; he is down. {Big Mike’s rank = Police Officer III}
{Flash Whoosh}
Ana Lucia sits stressing and obviously lost.   Sayid is bound to the tree. Libby tries to convince Ana to let Sayid go.   Ana says no, as she fears he will go after her. 
Libby-“You don’t know that.”
Sounding awfully satanic Ana says, "I killed someone he loves."
Michael gets up and walks over to Sayid and Ana demands he sit down. Michael doesn’t give a shit about her, he is bringing Sayid water, “You gonna shoot me...Shoot me.”
Of course she doesn’t shoot Michael.
Ana-“Don’t even think of untying him.”
Sayid asks Michael "Who is that woman?"
Michael-"Her name is Ana Lucia. She was on the plane, tail section, they all were. We were bringing them back." {Bringing them back! Is he talking about from the other side of the island or bringing them back to the "Island" on the "plane"? Hmmm?}
Sayid-"Where is Walt?"
Michael-"They took him, the Others."
Sayid is confused, "What do you mean they took him?"
Michael-"The raft, the night we left."
Sayid realized something huge, struggles to get free but can’t. {But why the hell doesn't he say 'I saw Walt?'}
Michael-"Hey, we're going to get out of this, man.” {Ana is trying to keep control of things, to keep it together. Not just with the group, but the entire situation. We can see her losing her control.}

Jack tosses a red tee to determine the starter of the match. Lucky Kate is first.
Happy Jack-“You know the lady's tee at my golf club back home is about 10 feet closer so if...”
Kate tells him to shut up; she swings. Jack calls her shot, nice.
Jack’s up; he swings and it goes right into the jungle. {Where it was supposed to go!} This amuses Kate but seems to trouble and confuse Jack. {Is he not really a Doctor?}
Jack uses the small stepping stones on the creek to get to his ball.
Kate-“We have more balls; you could always just take a drop.”
Jack’s got it. He moves the rocks away from the ball to prepare his shot. Kate sees something behind Jack and looks nervous.
Jack- “You may want to move. {see the look on her face} What?”
There is Eko carrying unconscious Sawyer.   Jack prepares to defend himself with the golf club.
Eko-“Where is the doctor?”







 Locke is in the Hatch working on a crossword puzzle in pencil.  
42 down: Enkidu's friend. Locke fills in Gilgamesh.


Jack and Kate hurry by with Sawyer.
Kate asks Jack,”Where are we headed?"
Jack directs her to the bathroom. “He's burning up. We've got to get him in the shower, bring his fever down.”
Jack has her go through the medical stash where there’s a bottle of Ofloxacin; little white pills. “Bring the alcohol and some gauze patches, and strip that bed and make sure it has clean sheets on it.”
Kate stares at Sawyer worried for him. Jack snaps her out of it.
Kate leaves and Jack tends to Sawyer's wound.
Locke wanders over and asks Jack what happened. The beeping on the countdown started. {Does he not hear it?}
Jack- “John, the button.”
Locke leaves to tend to the button.
Jack turns the shower on Sawyer.


Eko touches the Swan logo on the power box.  
The timer resets.
Locke steps forward, “Hello.”
Eko-“Hello.”

Ana is still pondering her next move. {If you listen very, very carefully you can hear Michael tell Jin in the background "You can sit tight, she aint gonna do nothing" Michael knows she's not going to do anything! And Jin understands English!}
Bernard asks, “What are we doing here” Their camp has to be close; he just wants to get back to his wife. All Ana cares about is how long she kept him alive out there. She wants them to cut her some slack. {Was it Ana's job to protect and keep Bernard safe?}
Libby wants to know what Ana's plan is.
Sayid- "She has no plan! She only has her guilt… and a gun."
Cocky Ana asks if he has supplies back at his camp.   He admits to having a couple of boxes (ammo).
Ana-“Alright, I want it...at least half. And I'll need a pack, a big one. A blanket, some medicine, clothes... jeans and socks {What is with the feet? LOL}...you getting all this?!”
Of course Michael doesn’t have to have her repeat it or write it down because he’s got it. If he brings all that stuff back to Ana, she’ll let his friend go. {Trade}
Michael doesn’t want to leave his friends, but Libby encourages him to go.   As their all talking in English, Jin responds to the situation, tells Michael to go {apparently he does understand English} Jin says something to Michael in Korean and he friggin understands him! {How long have I been saying they understand each other?}
Michael-“I’ll be back, man.”
Libby asks broken Ana what she’s doing, “You can’t live out here alone.”
Ana-“I’m already alone.”
Sayid observes Ana.


Ana and Big Mike park their squad car on a level 6 of a multi leveled parking garage of the station.
Mike’s going to sign them out.
Ana-“What? You talking to me now?”
Big Mike-“I just wanna go home A.L.” {Uh...American League? Lol}
Ana defends her earlier decision about ordering that guy to stop twice.
Big Mike-“So does that mean every time we run into some yo-yo with a TV in his hands, you're going to draw down?”
Raggs appears to inform Ana that they got her guy.

A man sits quietly on the other side of a two way mirror.   Ana, her mother, Raggs, a black detective and a man sitting at the desk with the two video monitors, mics and equipment.
Capt-“His name is Jason McCormick. We picked him up on an assault on an elderly woman in Echo Park. His fingerprints matched a partial from your crime scene. We questioned him and he confessed. The D.A. is ready to file charges. All he needs is for you to I.D. him.”
Mom asks for privacy to talk to her stupid ass daughter.
She asks Ana, “Why are you doing this?
Ana-“ Because it's not him.
Captain-“He put 4 bullets into you… hollow points through your vest...he tried to kill you. You want a list of his priors? You want to put this guy back out on the street?”
Ana-“It's not him.”
{Flash Whoosh}
Ana walks over to Shannon’s body.

Eko is looking into the stocked armory. {Ping Pong table, paddles.}
Locke asks Eko "What happened? Out there, what happened?"
Eko-"It was an accident.”
Locke-“What kind of accident?”
Eko-“A girl what shot and killed."
Locke-“What did she look like?”
Eko-“She was tall...with blond hair...There was an Arab man...”
Locke realizes it was Shannon.
Locke says "You said there were 5 of you from the tail section?"
Eko-"4" {Not sure of number of people, even now!}
Locke-“4. Why didn't the rest of them come back with you? And Michael, Jin?”
Eko-“They cannot come back right now."
Locke-“Can you take me to them?”
Eko sees the guns and says no.

Jack works on Sawyer.
Concerned Kate asks why Sawyer’s shaking.
Jack explains he’s septic. “The infection's gotten into the blood stream. If the antibiotics don't bring the fever down he'll go into shock. Hold him up.”
Kate-“Okay, I've got him.”
Jack tries to get the pill and water into Sawyer mouth but he coughs it out. Kate will try to give it to him but Jack insists he’s got it.
Kate-“I can do it. {to Sawyer} Sawyer? Hey, you have to listen to me, okay? The only way that you are going to get better is if you take this pill. So I want you to swallow it, okay? Okay, here we go. {puts the pill in his mouth holds the water for him to drink} Now swallow, swallow. Good, good.”
Jack seemed a little uncomfortable with how tender she is with Sawyer. “Nice job. I never learned the whole whisper-in-the-ear thing in med school.”
Kate lovingly holds Sawyer.

Back in the jungle Bernard informs Ana, "I don't want to be a part of this, I know everything you've done for us. I know I wouldn't even be alive if it weren't for yo...but I'm going."
He picks up his stuff and big stick and heads off to see his wife.
Judging Libby will leave too. After all she doesn't think Ana "is the best judge of character. I was with you when you put Nathan in the pit."
Ana releases them; including Jin.
Jin looks over at Sayid for an indication of what to do and Sayid nods his “go ahead and leave” nod. Jin doesn’t really want to leave Sayid.
They all move on leaving Sayid the torturer alone with Ana Lucia.

Michael runs through the jungle {stopping for a moment to get his bearings and direction} and comes upon Sun in her garden. She is shocked to see him.
Out of breath Michael manages to tell her "It's alright. Jin is okay."
Sun wants to know where he is and what happened, but Michael {touching her} doesn't answer because he'll explain later; he needs to find Jack. {What is up with these two?!!!}

Jack is in the hatch interrogating silent Eko; He wants to know where they are.
Jack is fired up over Shannon's death and wants Eko to bring him back out there to the Tailies.
Locke-"This man isn't the problem. He brought Sawyer back."
Jack-"Half-dead with a bullet hole in his shoulder, John! {to Eko} Are you going to talk to me or are you just going to sit there?"
Eko calmly replies-"Anything I say will only make you angry. So, yes, I will sit here."
Sun calls out for Jack from the corridor. {That lava lamp is always on! lol}
Jack is relieved to see Michael and they hug. Michael informs Jack they have a problem. Jack gets all cocky as he walks by Eko!

In the armory Jack asks Michael if he remembers how to get out there. Michael thinks so. They get GUNS! Locke thinks they should stop and think about this.
Jack asks Michael if he remembers how to get out there and Michael thinks so. They arm up with a couple of guns. Locke thinks they should stop and think about this.
Jack-"Think about what, John? Shannon's dead. Sayid's being held at gunpoint. You want to sit and hope that situation resolves itself, be my guest. {gives Michael a gun} You know how to use this?"
Michael says yes.
Eko yells for them to "STOP! Please. What do you want?"
Jack-"Excuse me?"
Eko-"Peace? Revenge? Justice? And you are going out with all these guns? What do you want?"
Jack-"I want all of our people back here safely. Your friend murdered..."
Eko-"Ana Lucia made a mistake."
Jack asks what he just said.
Eko repeats, "Ana Lucia made a mistake." {WOW! Another fucking person Jack recognizes!}
Eko will take only Jack there, and no guns! Ha! Jack hands the rifle over to Locke.
Jack-"Let's go."

Ana plays with the clip of her gun as she questions Sayid. He doesn't answer right away but then shares he's from Iraq and he has no children. He's un-impressed with her questions and wonders if she's going to kill him; he knows that's what she's thinking about.
Ana-"Should I?"
Sayid- "Almost 40 days ago on this very island... I tied a man to a tree and tortured him. I tortured him as I've tortured many men. Men whose voices I still hear at the night. Should you kill me? Maybe you should. Maybe you were meant to." {Like it's scripted out!}
Gun toting Ana {w/scratches on her right upper cheek} decides to share, "I'm a cop. Well, I was a cop. One night my partner and I responded to a burglary call. We were the first ones there. I covered the front and he went around the back. I was there a minute... and then this kid comes right through the front door... I tell him to put his hands up... and he's says I'm making a mistake... that he's a student.... and he wants to show me his I.D. I believed him. I just...I let him reach. All I remember was a pop. {Not 4 of them?!}  By the time I hit the ground I thought I was dead. I feel dead."
Sayid-"What happened to him? The man who shot you."
{Flash Whoosh}
Angry Ana sits in a bar. {You can hear the dialogue of a game being played in the back ground, "Who's up next?" And a song plays, "I'm on the outside"}
Ana sees her target; a young man with a huge cross on his shirt w/1969.
She downs a shot and follows him outside."Hey...Jason."

The buzzed dude wonders, "I know you?"
Ana-"...I was pregnant."
She fires 6 bullets {2 sets of 3} in to the dude.
{Tiny Flash Whoosh} "What happened to him?" Sayid asks.
Ana-"Nothin. They never found him."
Ana frees Sayid and drops her weapons at his feet, "Go ahead. Pick it up. I deserve it."
Sayid looks into her eyes, "What good would it be to kill you, if we're both already dead?"
He picks up Shannon, holds her close and carries her back to camp. {I cried, it's very heartbreaking. After all, they fell in love very quickly!}
At the hatch, Kate tells shivering Sawyer, "You're gonna be okay, you're home." {Yes! Damn it, they are HOME!}

Michael and happy Vincent {Has collar/leash} reunite.
Charlie is strumming his guitar and sees Jin, Libby and Bernard. Everyone surrounds them.
Rose and Bernard reunite!
Sun, {wringing out laundry and has to do a double take to see him} reunites with Jin! {I'm a romantic, it is all so beautiful!}

Unarmed Eko and Jack come across Sayid carrying Shannon...followed by Ana. Jack and Ana just look at each other.




Collision is a Great episode!
Collision, crash, conflict. Could it be about all those things? Maybe. We could be seeing a collision of interests and the "crashing" together of both sides/people of the Island in the literal sense of the word.
We need to understand the game and puzzle part of the story because this game definitely has players, rules, trades, turns, and leaders.

Things to Note...Questions to ask... 
♦  I.D. Identity. {No identity...no self.}
  Psychiatric involvement. Therapy. Counseling. Shrink. Crazy.
  Drugs. Steroids. Antibiotics
♦  Real-Not Real.
♦  Roles. Jobs. Changing roles- "I am a cop-I was a cop." New assignment. Transfer.
  "Steps" to progressing.
♦  Languages-Linguistics-Communication. What language barrier?! Jin understands English and Michael understands Korean! That's it! I've seen it too many times to think it coincidence!  What is with the whole starting a conversation in one language {here it's Spanish} and then "Switching" to English?
♦  Gotta love Michael in his orange shirt who seems to have a "connection" with sun. {Love= orange}
♦  Military ranking. Captain. Officer.
♦  Evidence.Proof.
♦  File of priors=records/data
♦  Pulling strings=Puppetry.
♦  Patrol. Guard. Escort. Watcher.
♦  Games. Golf. Ball. Baseball {Bullpen}. Darts. Pool. Wager. Bet.Worth.
♦  Crossword puzzle.
♦  Scenery. Change of scenery. TV. Monitor. Mic.
♦  10.
♦  Levels.
♦  Is Hurley the builder, designer, architect of something?
♦  Home.

Vocabulary and Research...
♦  In physics, the word collision is a brief event in which two or more bodies come together.   The collision of the particles result in an exchange and a change of direction or transformation of energy.
♦  Puzzle- a type of mental challenge.
- A puzzle is a problem/enigma that tests the ingenuity of the solver. One is intended to piece together objects (puzzle pieces) in a logical way in order to come up with the desired solution. Puzzles are often contrived as a form of entertainment. Solutions to puzzles may require recognizing patterns and creating a particular order. People with a high inductive reasoning aptitude may be better at solving these puzzles than others. Puzzles based on the process of inquiry and discovery to complete may be solved faster by those with good deduction skills.
-Types of puzzles: Chess, Knights Tour, 8 Queens, Rubik’s cube, picture puzzles, jig saw puzzle, word puzzles, anagrams, ciphers, crossword puzzle, connect the dots, spot the difference, Tangram, Tower of Hanoi, construction puzzles, stick puzzles, tiling puzzles, transport puzzles, disentanglement puzzles, lock puzzles, folding puzzles, combination puzzles, mechanical puzzles, tour puzzles- maze, puzzle video games like Tetris, riddles.
-A meta-puzzle: a puzzle which unites or incorporates elements of other puzzles. It is often found in puzzle hunts.
♦  Tabletop games; Board games, card games, dice games, miniature games, paper and pencil games, tile based games(Mahjong, dominoes), role playing games.
Terms to describe concepts applicable to basic game mechanics and attributes common to nearly all board games:
-Game board —the(usually quadrilateral) surface on which one plays a board game; the namesake of the board game. Most games use a standardized and unchanging board (Chess, Go, and backgammon all have such a board), but many games use a modular board whose component tiles or cards can assume varying layouts from one session to another, or even as the game is played.
- Game piece
(or counter or token or bit or mover or pawn)—a player's representative on the game board. Each player may control one or more game pieces. In some games that involve commanding multiple game pieces, such as chess, certain pieces have unique designations and capabilities within the parameters of the game; in others, such as Go, all pieces controlled by a player have the same essential capabilities. In some modern board games, such as Clue, there are other pieces that are not a player's representative, i.e. weapons. In some games, pieces may not represent or belong to a particular player.
Jump—to bypass one or more game pieces and/or spaces. Depending on the context, may also involve capturing or conquering an opponent's game piece. jumping
♦  Space (or square)—a physical unit of progress on a gameboard delimited by a distinct border. Alternately, a unique, atomic position on the board on which a game piece may be located while in play (in Go, for example, the pieces are placed on intersections of lines on the grid, not in the areas bounded by the grid lines as is seen in chess).
♦  Hex—in hexagon-based board games, this is the common term for a standard space on the board. This is most often used in war gaming, though some abstract strategy games such as Abalone use hexagonal layouts.
♦  Card—a piece of cardboard on which instructions are given
♦  Deck—a stack of cards
♦  Capture—a method in which one removes another players game piece from the board, for example: in checkers if you jump another player's piece, that piece is captured.
Parts, pieces, and tools used for playing tabletop games: Coins, stopwatch, clock, egg timer, counter, pawn/playing piece, dice, (gambling) chips, (Play money), game board, game box/container, marker/peg for keeping score/tally, miniature figures, pencil, pad of paper, playing cards, collectible cards, rules/manual, ruler/measuring device, score board or pad, tiles, modeling clay.
♦  A refereed game could also include various aids to play, including scenario packs and computer game aids.
♦  Role-playing games can include campaign settings and various supplementary manuals and notes.
♦  A live action role-playing game (LARP) is a form of role playing game where the participants physically act out their characters' actions. The players pursue goals within a fictional setting represented by the real world, while interacting with each other in character.




We will explore video games, video simulation/simulators, magic and tricks again soon!
I used the term "Puppet Master" with this episode as to show you there has to be someone orchestrating all these things.    I called them the "powers that be" but maybe "Puppet Master" or "Maestro" would be a better term from now on.
You’re going to get very sick of hearing me bring up that there’s a blurring of “Island”, "Flashes" and “Outside world” images, words, people, items and scenarios.   What does this mean in terms of what we are seeing?    Couldn't it be that’s it’s all part of the same adventure/journey.

It is possible that the Tailies know things about why they are there on the Island and what their roles/jobs are.    Maybe Ana doesn't want this role anymore.    If Ana's role was protector, we see that role start to fall apart.
Was there one "collision" in the Tailies/Ana's 48 days or many?

Ana wants to go back to the role/job of patrolling in the "outside world" but ends up a killer.   Did Ana get a new assignment on the "Island"?   Ana could be in charge of patrolling the "Island", guarding it and/or it's people of importance, but still ends up being a killer.
I believe at this point she is unable to change her role because she isn't "getting" what the objective of the lesson is; she is stuck.   Ana doesn't know where she's going!  I can't ignore she wants a "transfer".  What can that mean in the scheme of the game...she must want out of her current situation.

Sayid the torturer is a emotionally tortured man and Ana is an emotional tortured woman.  Will either of these people conquer their pain and move forward or will one of them quit?   Maybe by the time Ana shoots Shannon she realizes that she cannot "do this anymore", maybe she can't be a protector because she will always be a killer.
Maybe she's still lost.

Love to all who are "LOST"™


Posted on MySpace August 7, 2007

Disclaimer: I never claim to know everything about the show and my thoughts by no means make me right. The things I share here are my views and/or opinions. I don't claim to catch every single detail either. You all know I hate spoilers, and I stand clear of reading certain sites as to not take me off my own course of research. The one thing I don't need to do here is rehash all of the obvious clues from an episode, we all know what they are. Understood? Good. Let the fun begin! I'll only note things that I know come up as clues later, but need to be noted when they first show up and things I find that will be of importance. It will get very exciting as we progress into the story.